![]() ![]() "He was someone who seduced people - not just in a sexual way, but in a dramatic way. "Liszt was a very dynamic personality," Hough says. Like many contemporary classical pianists, Hough is obsessed with Liszt - not only because he was really good, but also because he revolutionized the art of performance. Thomas “Mukanya” Mapfumo and Songs of Protest in Colonial. Performance Practice in Western Art Music Liedekens, 15th- and 16th-Century Dutch Polyphonic Songs Users without a subscription are not able to see the full content onĮarly Modern British Metrical Psalmody (1535-1700)Įlectronic and Computer Music InstrumentsĮnglish Catholic Music after the Reformation to 1750 Thus Rehding uncovers the truest autobiographical moments in Liszt’s “Beethoven” Cantata of 1845, which makes use of a quotation from Beethoven’s “Archduke” Piano Trio. Rehding argues that for Liszt, composition and performance are integral-at times, even primary-components of Liszt’s biography. ![]() Cambridge, UK: Cambridge University Press, 2005.Īlong with Deaville 2002, one of the few studies to consider the historiography of biography. “Inventing Liszt’s Life: Early Biography and Autobiography.” In The Cambridge Companion to Liszt. Mainz, Germany: Schott, 1983.Ĭontaining notes, questionnaires, letters, and other documents related to her research on Liszt’s life and works, this should be used as a supplement to Ramann 1880–1894. Lisztiana: Erinnerungen an Franz Liszt in Tagebuchblättern, Briefen und Dokumenten aus den Jahren 1873–1886/87. Although it has also been an easy target for critics, Deaville 2002 has gone a long way in explaining the reasons for its eccentricities. With three volumes covering the whole of Liszt’s life and works, it has served as a model for modern biographers. Leipzig: Breitkopf & Härtel, 1880–1894.īecause the author worked closely with her subject over a number of years, this is the most important contemporary biography on Liszt. Rehding 2005 nicely complements this selection excellent introduction by Keiler. Rellstab vividly covers Liszt’s Berlin concerts and his early years and includes the first allusion to the famous Weihekuss (consecrating kiss) incident between the young Liszt and Beethoven. Rellstab’s biography appeared in 1842, and when read alongside d’Ortigue 2006, it is clear how invented story could quickly become historical fact. Princeton, NJ: Princeton University Press, 2006. “Ludwig Rellstab’s Biographical Sketch of Liszt.” In Franz Liszt and His World. An appendix of selected articles about Liszt is parsed thematically. Examines Keiler 2006 and d’Ortigue 2006, among other early documents, and offers legitimate parallels to modern aesthetics of rock and film. Bern, Switzerland: Peter Lang, 2001.Īn eclectic, exciting selection of primary-source documents accompanied by Hupfer’s penetrating analyses. Franz Liszt als junger Mann: Eine Leserei. ![]() Walton’s introduction and commentary provide ample context for d’Ortigue’s creation of such a contradictory artist. ![]() D’Ortigue, a colleague of Liszt and fellow Beethoven enthusiast, identifies in his subject a perennial tension between sensuality and spirituality that still inspires and plagues biographers to this day. One of the earliest biographies of Liszt (1835), and still useful. “The First Biography: Joseph d’Ortigue on Franz Liszt at Age Twenty-Three.” Edited by Benjamin Walton. Deaville’s article not only provides important biographical information about these women, it also clarifies their unique musicological approach to their subject in an era when women were almost entirely forbidden from the discipline.ĭ’Ortigue, Joseph. “Writing Liszt: Lina Ramann, Marie Lipsius, and Early Musicology.” Journal of Musicological Research 21.1–2 (2002): 73–97.Īn important study of Ramann and La Mara (Marie Lipsius), who through their publications of Liszt’s biography and correspondence, respectively, did much to create his modern image. Although Liszt never produced an autobiography, he did assist these biographers to varying degrees.ĭeaville, James. By far the most comprehensive biography to appear during his life is Ramann 1880–1894 (ideally read alongside Ramann 1983), although d’Ortigue 2006 and Rellstab ( Keiler 2006) provide important insight into Liszt’s so-called Virtuoso Years. Recent scholarship has tended to mine them for the ways in which Liszt controlled his historical image ( d’Ortigue 2006 and Rehding 2005), how he fit into his milieu ( Hupfer 2001 and Keiler 2006), and how his life encouraged a particular type of biographical method ( Deaville 2002). Although contemporary biographers can hardly be characterized as objective toward their subject, their writings remain important. ![]()
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![]() ![]() Depending on the issue, different coalitions were possible, which allowed for the kind of fluid bargaining the constitutional system requires.īut that was before American politics became fully nationalized, a phenomenon that happened over several decades, powered in large part by a slow-moving post-civil-rights realignment of the two parties. You could have once said the same thing about liberal Vermont Republicans and conservative Kansas Republicans. Conservative Mississippi Democrats and liberal New York Democrats might have disagreed more than they agreed in Congress, but they could still get elected on local brands. The parties operated as loose, big-tent coalitions of state and local parties, which made it hard to agree on much at a national level.įrom the mid-1960s through the mid-’90s, American politics had something more like a four-party system, with liberal Democrats and conservative Republicans alongside liberal Republicans and conservative Democrats. It was that they were too similar, and that they stood for too little. Presidents, senators, and House members all had different electoral incentives, complicating partisan unity, and state and local parties were stronger than national parties, also complicating unity.įor much of American political history, thus, the critique of the two-party system was not that the parties were too far apart. Yet separation of powers and federalism did work sort of as intended for a long while. However, political parties formed almost immediately because modern mass democracy requires them, and partisanship became a strong identity, jumping across institutions and eventually collapsing the republic’s diversity into just two camps. Combine the two insights-a large, diverse republic with a separation of powers-and the hyper-partisanship that felled earlier republics would be averted. By separating powers across competing institutions, they thought a majority party would never form. ![]() The Framers thought they were using the most advanced political theory of the time to prevent parties from forming. But in a large republic, with more factions and more distance, a permanent majority with a permanent minority was less likely. In a small republic, he reasoned, factions could more easily unite into consistent governing majorities. James Madison, the preeminent theorist of the bunch and rightly called the father of the Constitution, supported the idea of an “extended republic” (a strong national government, as opposed to 13 loosely confederated states) for precisely this reason. This was how previous republics had fallen into civil wars, and the Framers were intent on learning from history, not repeating its mistakes. The fragile consent of the governed would break down, and violence and authoritarianism would follow. If a consistent partisan majority ever united to take control of the government, it would use its power to oppress the minority. ![]() The theory that guided Washington and Adams was simple, and widespread at the time. America now has just two parties, and that’s it. Until then, the two parties contained enough overlapping multitudes within them that the sort of bargaining and coalition-building natural to multiparty democracy could work inside the two-party system. Though America’s two-party system goes back centuries, the threat today is new and different because the two parties are now truly distinct, a development that I date to the 2010 midterms. The existential menace is as foretold, and it is breaking the system of government the Founders put in place with the Constitution. George Washington’s farewell address is often remembered for its warning against hyper-partisanship: “The alternate domination of one faction over another, sharpened by the spirit of revenge, natural to party dissension, which in different ages and countries has perpetrated the most horrid enormities, is itself a frightful despotism.” John Adams, Washington’s successor, similarly worried that “a division of the republic into two great parties … is to be dreaded as the great political evil.”Īmerica has now become that dreaded divided republic. ![]() ![]() ![]() Join Singa Only registered users can sing. “Tennessee Whiskey” is on Chris Stapleton’s Traveller, which can be bought here. David Allan Coe: Invictus (Means) Unconquered - Tennessee Whiskey (CD). Sing David Allan Coe Tennessee Whiskey with Singa online karaoke Singa is the best and easiest way to sing your favorite songs with lyrics preview. Gorley’s catalog of contributory hits also included Luke Bryan’s “That’s My Kind of Night,” which went to No.1 on Hot Country Songs and No.2 on Country Airplay the same artist’s “Games,” Lanco’s “Born to Love You,” and another airplay chart-topper, Dierks Bentley’s “Living.” They included Thomas Rhett’s “Life Changes,” “T-Shirt” and “Marry Me,” all three of them country airplay No.1s, as was Jon Pardi’s “Dirt on My Boots.” SME (on behalf of Columbia Nashville Legacy) UMPI. ![]() The program’s Platinum Anthem for the past year, based on streams and sales, was Lil Nas X and Billy Ray Cyrus’ smash hit “Old Town Road.” Prolific hitmaker Ashley Gorley was named Top Songwriter, for hits that generated an incredible 10 multi-platinum, 15 platinum and 13 gold certifications. David Allan Coe performing Tennessee Whiskey (Lyric Video) DavidAllanCoe. David Allan Coe originally sang Tennessee Whiskey. It was originally recorded by American country music artist David Allan Coe for his album of the same name Tennessee Whiskey, whose version peaked at number 77 on the Billboard Hot Country Singles chart in 1981. ![]() released by David Allan Coe as the title track of his 1981 studio LP. After the song’s new popularity via the Traveller album, it has been recorded by numerous other aritsts including Deana Martin, daughter of Dean, and by the group Straight No Chaser, in a trademark acappella rendition for their 2019 Open Bar EP. Tennessee Whiskey is a country song written by Dean Dillon and Linda Hargrove. 6k) Jack Daniels Tennessee Honey Whiskey 750ml Bottle Liquor Light Lamp - Unique. ![]() ![]() As the name suggests handwriting fonts are type of typefaces that mimic the penmanship. That is why in this article we will be revealing the best free handwriting fonts to use on your next projects. In addition, we also believe that creativity can flourish in a space devoted to ethical practices and solutions.In the ever-developing world of technology, handwriting fonts are fairly used, but when incorporated correctly they can provide a different personal touch to your design or project like no other font can. We aim to be a space that inspires creativity across the internet. To avoid this, be sure to use FontSpace for all your font needs.įontSpace has a mission devoted to keeping people from experiencing font licensing issues. As a result, there is a potential for lawsuits or other legal action. However, there are a lot of font websites operating under false pretenses and, unfortunately, offer fonts that are not actually licensed. As such, we only provide fonts that are licensed and fully authorized for use. Whether you are a professional graphics designer, crafter, hobbyist, teacher, or student, we hope you enjoy the fonts here.Īt FontSpace, we pay attention to the fine print. With an ever-increasing amount of unethical font websites available, we strive to be THE source for legitimate and clearly licensed fonts. Each font is reviewed by a FontSpace moderator, checked for font quality issues, and licenses are verified. Every font is added and categorized by a real person. Get started with FontSpace today and find fonts that are sure to match the look you’re going for! About FontSpaceįounded in 2006, FontSpace is a designer-centered font website that has quick customizable previews and hassle-free downloads. Nobody likes working with copy that requires squinting to read. And, most importantly, the font you select should always be easy on the eyes. Choose a style that is different from your competitors and translates the personality of your brand. Make sure that the different choices you select are harmonious with one another. Consider the weight and size of each font, along with the style. They are needed for headings, titles, subtitles, and body text in any collateral or online materials. When designing your brand identity, you must use a consistent set of fonts, each with a specific purpose. You can create excellent illustrations, images, and other graphic content but if the font on your site or in your branded assets is less than rocking, it could easily turn a reader away. ![]() Text fonts are a crucial part of your branding design, but ironically, this aspect of branding is usually overlooked. But you can access 1000s of more fonts-from cursive fonts to cool fonts and other trendy styles.įontSpace lets you generate different font styles using a large range of Unicode characters. ![]() You also have the option to change the foreground color.Ībove, you’ll see 15 of our handpicked free downloadable fonts for every month. ![]() You can change the font size of the previews via the slider next to the input box. You can use our font generator to create fonts that are easy to copy and paste into your website, social media profiles, and more.Īll you have to do is type some text into the input box. FontSpace FontsįontSpace is your home for designer-centered, legitimate, and clearly licensed free fonts. It plays a vital role in setting the overall tone of your website, and ensures a great user experience. Selecting the right font style can provide an attractive appearance and preserve the aesthetic value of your content. That’s why you should focus on choosing a font that’s legible yet appealing. Fonts that are too fancy can be hard to read, while too plain ones can be outright boring. Fonts are an important part of your site typography. ![]() ![]() ![]() According to Jackbox, the game’s developer, normal weekend usage is currently on par with the numbers for pre-corona holidays like Thanksgiving or New Year’s Eve. (A unanimous vote is called a Quiplash.) The game is ideally suited to the age of Zoom since all the action takes place on everyone’s phones, little is lost from not being in the same room, or even the same state. Two punch lines are pitted against each other, with everyone else voting, and points are determined by the percentage of votes each receives. Quiplash is an answer-prompt game, similar to Apples 2 Apples or Cards Against Humanity, except that instead of choosing a response from a handful of pre-written options, competitors come up with their own. In the surest sign that the trend is real, people have even started referencing Quiplash while making fun of Joe Biden. ![]() Actress Katy Stoll solicited games that were like Quiplash but were not Quiplash, since “one can’t Quiplash every day.” Las Culturistas’ Matt Rogers announced his desire to be a writer for the game. “I will play Quiplash with anyone! It’s my new favorite game,” late-night writer Sean O’Connor tweeted last week. And if you’re a funny person in Hollywood, you’re probably playing the five-year-old mobile party game Quiplash. If you’re on Facebook, you’re probably asking a lot of questions about 5G. If you’re on Instagram, you’re probably baking an Alison Roman recipe. The age of social distancing has given us many hours to fill, and many options for how to fill them. Inside a game of Quiplash with comedy writers. ![]() ![]() ![]() It was a way to hang out, have bonfires, look around, be seen, and, of course, have fun. The goal had been simply to build something that didn't look like a used Jeep and could "take you wherever you wanted to go."ĭriving over the sand in remote areas like Pismo Beach and the Baja was another activity of the SoCal lifestyle. The first Meyers Manx emerged from a cramped shed in Newport Beach in 1964. Although fiberglass was not new at the time, its use in boat construction was, and Meyers worked for a time at Jensen Marine, pioneering the techniques of fiberglass construction that would later serve him well.īy the early '60s, though, his experiences and talents were about to result in something bigger than Meyers ever dreamed of. He later went to art schools in San Francisco and Los Angeles, developing a talent for drawing that would eventually land him a short teaching stint.īy the late '50s, Meyers was living in the Newport Beach area, shaping surfboards, working on boats, trekking across the border into Baja, Mexico, and running a '32 Ford at the Bonneville Salt Flats. He crewed on merchant ships and spent what must have been two fantastic years in Tahiti, running a trading post and chasing island girls. While stationed on the aircraft carrier Bunker Hill, he survived a kamikaze attack in May 1945 off the coast of Okinawa that killed 389 men and almost sunk the ship.Īfter the war, Meyers drifted about for a few years. Meyers was drafted into the Navy in 1944. In his teens, he led the dreamy beach life that would eventually draw the masses to Southern California. During Meyers's boyhood, the family lived in idyllic Newport Beach, long before it was super-expensive and overcrowded. His father helped Henry Ford set up automobile dealerships in California. Meyers was born in Los Angeles on March 12, 1926, the youngest of five children. Those are talented mitts, capable of drawing picture-quality head shots with a pencil and sculpting fiberglass into art. His hands and forearms look strong enough to fold a brake rotor. His large head is topped with thinning white hair, and his long, barrel-chested torso is framed by a pair of thick arms. Although he's 80 now, you can still see a good deal of the enormous energy and enthusiasm that led him to create a vehicle that embodied the carefree beach culture of the 1960s. Meyers lives today in Valley Center, California, about 30 miles outside San Diego. But like the swells of the Pacific Ocean that were such a pivotal part of Meyers's life, riches and success retreated like a wave receding from the shore. The Meyers Manx dune buggy should have made Bruce Meyers a very wealthy man. It’s a pop culture icon.” The long list of those Meyers inspired includes our own Rich Ceppos. “It transcends being this four-wheeled thing. "I have a lot of reverence for what Bruce created,” Thomas told Autoweek at the time. Freeman Thomas, the former VW, Audi, and Porsche designer, took over as CEO and chief creative officer. Meyers founded his company in 1964, inspiring the Dune Buggy craze. UPDATE, : Bruce Meyers, creator of the Meyers Manx dune buggy, died on Friday at his home in California. ![]() ![]() Remember that because poppy seeds are oily, they can go rancid - store them in the freezer and taste a few before using them. The cake can be served plain, but it’s pretty spread with white icing and speckled with seeds. ![]() Although this simple loaf cake includes vanilla extract and lemon juice, it’s the flavor that you get from an abundance of poppy seeds that brings everyone back for more. Give the seeds a star turn and you add surprise. Sprinkle poppy seeds over something sweet or savory and you add interest. Even though they’re minuscule, they crack pleasantly under a light bite. Poppy seeds belong to the small-but-mighty clan of ingredients: Their flavor is nutty, their aroma earthy, and their color, a gorgeous blue-black, dramatic. A spoonful of yoghurt also pairs with it very nicely, if you like. Peel the remaining tangerines and slice into rounds, to serve on the side. Pour or spoon over the cool cake, easing some drips down the sides in an arty way, then sprinkle over the reserved zest. Sift the icing sugar into a bowl, then squeeze and stir in enough tangerine juice to make a thick drizzle. Leave for a few minutes, then turn out on to a wire rack and leave to cool completely. Bake for 30 to 35 minutes, or until golden and an inserted skewer comes out clean. Pour the mixture into the bundt tin, scraping it out of the processor with a spatula, then jiggle the tin to level it out. Crack in the eggs, finely grate in the tangerine zest (reserving some for garnish) and blitz until smooth. Place the remaining butter in a food processor with the honey, flour, almonds, vanilla paste and a pinch of sea salt. ![]() ON THE DAY Preheat the oven to 180☌/350☏/gas 4 and generously grease a 2-litre non-stick bundt tin with butter. This works great as a stand-alone recipe, but also as a component in Jamie’s Picnic Love from Together – see the full collection of menus here. ![]() ![]() It’s a weird relationship between Cuff and Frey: They both seem to dislike each other, but not in an endearing way. Don’t worry, the sassy bangle Cuff is around to offer a bit of banter between story beats. Thankfully, it seemed to be a one-off.įorspoken may offer an open world, but you won’t be able to confront the Tantas outside of the order the plot demands. The button presses and timings have little or nothing to do with the jigs and the moves. Take the tavern: During celebrations, you will get to experience the most inconsequential, pointless, real-time event dance-off. Even if it’s the only populated area in the game, it’s the least interesting. (Weirdly, the sprint button and the magical parkour button are not the same buttons, either.) The good thing is there’s not much to keep you in this town. That means after you’ve traded with collectors, you will have to sprint like a normal human to the tavern. How about doing it without your speedy magical parkour skills? Because that’s the reality– even when Frey is eventually accepted into the city, you’ll never get to dash across the city of Cipal, and leap up its walls. ![]() Other sidequests – lots of them – are just like the fetch quests of Assassin’s Creed, Horizon, Ghost of Tsushima, Spider-Man and well, so many open-world games of the last 10 years.ĭo you enjoy chasing things for collectibles? Welcome to the cat-chasing sidequests. But so far as I’ve explored, they are simplistic junctions of monsters and corridors, with a sub-boss beastie at the end. One of the major landmarks are giant bird cages indicating locked labyrinths. But so far, it’s not looking good.įollowing the primary story beats, while the magical parkour skills make dashing across land an effortless, speedy affair – and definitely faster than horses – there’s not a lot of impetus to explore too much. I’m still chipping away at the game so if there are some pleasant surprises I will update this. Open-world games with low-quality side quests (or game filler) are a regular occurrence – I’ve given up in the middle of Assassin’s Creed: Valhalla – but the majority of tasks in Forspoken are just too dull and unrewarding. It’s obvious where less effort’s been made. This isn’t just a graphical problem either. End of the world aside, why does she look such a mess? Similarly, Tanta Cinta, who’s pivotal to the plot, seemed to be modeled by whoever did the dirty to poor Auden. She’s also one of the main sources of information about Athia, why the Tantas are now unhinged despots and well, just how bleak everything is. She often interacts with Frey in the first and final few chapters of Forspoken – arguably she has more screen time than all but one of the Tantas. Take Auden, Frey’s first friend in Cipal, a city that’s the final bastion of humanity in Athia. The only populated region of the game, Cipal, is so underwhelming, relative to the antagonists and their fortresses. ![]() While most of the elemental effects, Frey’s movements and a lot of the desolate world of Athia is beautifully realized, other parts aren’t. Until Frey kills one of her fellow Tantas. Surrounded by her own watery creations, she’s judge, jury and executioner – except there’s no one left to judge. Take Tanta Prav, the water-wielding Tanta of judgment (they all have a handy job title to explain how they’ll probably rough you up): She is delightfully unhinged and argues with herself. Luminous Productions even said that the Tantas were a “ labor of love” for the team, and that’s apparent. Fighting, talking to and learning about the four leaders and their fall from grace are some of the highlights of Forspoken. The matriarchs that control the world, the Tantas, are fearsome, with a fascinating array of spells, lots of intrigue and a great wardrobe. Still, most of the elemental effects, Frey’s movements and a lot of the world of Athia is beautifully realized. Running on Square Enix’s in-house Luminous Engine (the team that made the game is a newly-formed group called Luminous Productions), Forspoken gives some beautiful moments of magical pyrotechnics, but it’s not quite up to the consistent environmental beauty (and attention to detail) of games like Horizon Forbidden West or Returnal. You keep moving, through the lands of Athia, through the adventure, because it’s really fun and satisfying, but also because when you slow down, you start to see the cracks. In Forspoken, you control the agile, angry Frey (voiced by Ella Balinska), slinging elemental attacks (and f-bombs) at multiple monsters before leaping off a cliff face and swinging from a molten outcrop. ![]() ![]() We wanted to reverse that hierarchy you see in consumer goods of brand over product. ![]() Harmless Harvest co-founders Justin Guilbert (left) and Douglas Riboud (right)Īs for the HPP: “You taste our product and there is an immediate distinction. When people look at my product and say that’s expensive, I say no, it’s the others that are cheap this is the price for a good product.”īut does raw coconut water really taste so much better?Įr, yes, said Guilbert, although the choice of coconuts is also critical: “We use a specific varietal of coconut specific to a region in Thailand and we contract with our farmers directly.” American consumers want access to better food. He added: “People used to think that food should be cheap but that mentality has changed dramatically in recent years. Some cold-pressed juices retail at nearly $10 and people are willing to pay for them.” “People ask if there a sweet spot on price, or a ceiling, and I say that there is no negative elasticity of price if there is value to every penny that you are asking for. “ The American consumer, regardless of disposable income or sophistication, is willing to pay more for better quality as long as that quality is tangible, if your product is distinctively superior. In fact, consumers coughing up $4 or $5 for raw coconut water are making a simple decision about what they value, he told FoodNavigator-USA. Emulsifiers, stabilizers, hydrocolloidsĪnd the world hasn't gone mad, said Guilbert, who cut his CPG teeth at L’Oreal before teaming up with Douglas Riboud (a corporate finance expert he met at business school in France in 2002/3) to create Harmless Harvest in 2009.Chocolate and confectionery ingredients.Carbohydrates and fibers (sugar, starches). ![]() Plant-based, alt proteins, precision fermentation. ![]() ![]() ![]() There’s always at least one view ( see more on views) Authenticate TABLE_NAME: the name of the table in that base.Ī base is a short term for database, and it can contain many tables.Ī table has one or more views that organize the same data in a different way.BASE_NAME: the name of the base you’ll work with.Let’s see a few common operations you can perform with the API, but first let’s define a couple values we’ll reference in the code: It’s convenient because it offers a built-in logic to handle rate limits and retrying the requests when you exceed them. ![]() The API documentation offers examples using curl:Īirtable maintains the official Airtable.js Node.js client library, a very easy to use way to access the Airtable data. In this image, notice how the fields example values are actual values I put in my table: Not just that, the examples in the API docs use the actual data in your table. It puts your API keys, base IDs and table names directly in the examples, so you just need to copy and paste them into your codebase and you’re ready to go. Īs developers we spend a lot of time reading through docs and trying to figure out how things work.Īn API is tricky because you need to interact with a service, and you want to both learn what the service exposes, and how can you use the API to do what you need.Īirtable raises the bar for any API documentation out there. The API has a limit of 5 requests per second, which is not high, but still reasonable to work with for most scenarios. This is what makes it 10x superior to a standard spreadsheet, when it comes to data handling AND making it easy to authenticate. A great APIĪirtable has an absolutely nice API to work with, which makes it easy to interface with your Airtable database programmatically. They fail because either there is no need for them, or the maker does not have a clear way to market the product.Ĭreating an MVP minimizes the risks of spending months trying to build the perfect app, and then realizing no one wants it. Most products fail not because of technical limitations or because “the stack did not scale”. It is a perfect tool for a developer looking to prototype or create an MVP of an application.Īn MVP, or Minimum Viable Product, is one initial version of an application or product. ![]() Perfect for prototypesĪirtable is much more than a glorified spreadsheet, however. It’s a mix between a spreadsheet and a database.Īs a developer you get to create a database with a very nice to use interface, with the ease of use and editing of a spreadsheet, and you can easily update your records even from a mobile app. Discover why it's great for any developer to know about it and its API ![]() |
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